already played by karotte & tobi neumann !!! the initial these days trilogy concludes with a collection of works and remixes of new york artist and resident filsonik. >diva jaguar< is a deep and mosaic journey which weaves vibrant percussion between subtle textured pads and flowing melodic synths to create a unique spiritual moment. raw elements of the original are extracted and distilled to leave an organic, hypnotic flow in these days beats version. argys tool version of filsoniks >can u< features on the flip side as an absolute percussive dancefloor groove. alexander ross takes >diva jaguar< in a completely different direction with a soaring, spacial cut which layers a driving beat and echoing, dubbed synths over bass and textures from the original !!!

just in case someone might have forgotten: stil vor talent is based in berlin. and this ep by sascha braemer, one part of heinrich & hirtenfellner, proves just that. braemer, whos just been at the top of everybodys dj charts with his funk-laden minimal soul piece >mamba drums< on kindisch records, has donated three tracks to oliver koletzkis imprint that mirror what this city is best know for: funky minimal grooves. first up there is >ghost track< a typical dry minimal loop with a rhythmically in touch vocal sample that is then juxtaposed by a simply astonishing piece of melody. goose bumps and groove humps on the floor - guaranteed! on the flip: >girl<. here braemer has created a dubby piece of tech house that floats towards a soulful vocal and some beautiful strings. this is one for the early morning, or in berlin, the late afternoon, those times when everything seems in perfect harmony with each other. last up is >guitar man<, yet another very sample-based stripped down loop with one riff of an echoed guitar being the protagonist. when that riff is fully played out, we all know its summer. but it wouldnt be berlin if there werent some dark wobbly basslines seemingly destroying this but in fact creating the perfect combination of soft and hard, of light and dark. on top of this the vocal sample >i wont leave< perfectly encapsulates the vibe of the praised berlin afterhour. stil vor talent is back at home with this ep.

the swedish house mafia with laidback luke, play pauls new project ryskee, a brandnew moguai together with sebastian ingrosso and last but not least patric la funk! what a huge package! this ep has the title essentials quite rightly!

alan fitzpatrick is a producer who has been making everyone sit up and take notice since his first appearance on the scene a little over 18months ago. with various outings on fergies excentric music label, and his own 8 sided dice imprint and forthcoming records on the seminal bedrock records, alan is without doubt the rising star of dance music with his cross genre sound. and if that wasnt enough here is the first outing on adam beyers mighty drumcode! adam, who is unbelievably fussy and purveyor of nothing but absolute quality, snapped up this two tracker instantly – a testament to alans awesome sound. both >statix< and >rubix< are earthshakingly good. both hard and funky, but at the same time extremely versatile, and will be excellent mixing tools and big records in ther own right. the kind of records that never leave the box. get it..

supported by: anja schneider, julietta, brothers vibe, matthias tanzmann, anthony collins, chris wood, gebr?der teichmann, kabale und liebe, federico molinari, nekes, ray okpara, johnny d., sascha dive, ekkohaus, varoslav... reggie hammond was born in borrego spings in 1982. but already at a very young age he decided to leave the californian deserts and moved to london to focus on electronic music. the rolling techno-tool track for the 3rd diaphan release was created during a jam-session and ? as you can easily hear ? it is followed by some very crazy vocals spoken and sang by the >pleasemachine<, who transform it into a song that drives you directly to the dancefloor. with >ungodly< he presents a slow and very deep dub-track proving his frankness for other styles. the release will be completed by george p s pleasemachine-rmx and shows the track from an absolute different point of view. as a bonus you can also find an instrumental version of >pleasemachine< on the next powerful diaphan ep

der titel legt es schon nahe: >for now<, das zweite album des britischen 60s-retro-trios the bishops, ist eine art bestandsaufnahme. eine referenz an den moment, an das jetzt, das die gruppe aus london seit erscheinen ihres deb?talbums 2007 mit hunderten konzerten ausgiebig gelebt hat - u. a. als support f?r james blunt auf dessen europa-tour. so sind denn auch viele der songs von >for now< auf tour entstanden, aufgenommen wurden sie im sommer 2008 in london vom produzenten brian o?shaughnessey (primal scream, my bloody valentine). abgesehen von den klassischen dreimann-arrangements spielen the bishops auf >for now< auch mit ungewohnten instrumenten wie trompete, mundharmonika und klavier. rockig und im besten stil der kinks und fr?hen beatles ist das allemal, wie nummern wie >hold on<, >free to do what you want< und die erste single >city lights< beweisen. doch auch ein folksong wie >he was a friend of mine< schaffte es auf die platte.

waajeed (slum village/bling 47) and saadiq with one of the most talked about albums of 2005. feat jay dee, sa-ra, spacek, lacks, tiombe lockhart, invincible, georgia anne muldrow, taraach and others!!

determined to write a new chapter in nycs long history of dance music, marcos cabral and jacques renault (think dfa, rekids, im a cliche, wurst edits, chinatown, editions disco, rvng, trapez, and more) have decided to launch their own record label on the prowl. with a heavy nod to american classic house, techno, and disco, otp listeners should expect a variety of sound that will propel them to dance for years to come. the first otp instalment entitled the poltergeist throws a heavy blow of dark acid bass, todd terry-esque stabs, and proper dubbed out distortion for a feeling that will leave listeners floored... leaving even the most stubborn of listeners open for more. house music, raw and unrestricted. the b-side, not to be overshadowed, brings us dont block the box. an a-side in its own right, delivering us good old fashioned house music with hypnotically filtered samples and pulsing arms in the air swells of resonance.

the third release in audions slow-drip of new music is a devastating trifecta, a trio of tracks that hit hard and leave a mark. with each taste of the new audion, it becomes clear that matthew dears dancefloor alias is deeper, darker and more nuanced than ever before while maintaining a lose-your-mind edge that is impossible to resist.

just fantastic herbert classics !!!

this order is proud to present the new electricalz & luca doobie ep. three massive tracks which will burn all the summer dancefloor with their killer grooves. electricalz will come back to their homebase after one year with a picture disc made by falkomat, promoter of the infamous privat party in milan.
already in the hands of : 2000 & one , shinedoe , ellen allien , nick curly , till von sein , luciano , ali schwartz, marco resman ...

played by richie hawtin, monika kruse, dj hell !! kiko delivers the number eight in the afulab catalogue with his breathe of summer and three tracks that carry a more than a hot summer feeling. cala rossa starts with a catching melody and this sparkling glockenspiel sounds, served in a nice warm bed of funky strong rhythm and driving percussion! planetary is a prime time modern styled electro track with a slight influence by popof. the killer open air sunshine track is the flipside named musco. this is the definite big floor rocker for this sunshine season. its glitter melody and carrying pads will leave nobody with hands in pocket, but surely hands in the air ! we honestly cannot wait to hear this played by the djs around this planet and dance under sunflooded blue skies!!! make sure youll bring your sun blocker ...

its already well-known that cocoon recordings is a sucker for tracks that stand out of the usual field of - lets be honest - often uniformly reduced tech-house, and the past nine years of the labels history have proven this sustainably. and the rhein-neckar area based team flatner/lopazz are again two hot candidates to leave their very special mark on the summer of 2009. after all, circlemusic manager alex flatner is rocking the floors as a dj and producer for already 10 years now, having been releasing for labels such as harthouse or black nation, whereas the heidelberg-born stefan eichinger aka lopazz has made himself a name with releases on imprints from the likes of output, international deejay gigolo and mainly get physical. together they celebrate a very funky understanding for percussive techno, which is setting highly meaningful moments for the primetime, particularly by means of lascivious vocals. i wanna take you all night long, for sure! and you definitely cant find a better expression for the perfect pounding symbiosis between bass-focused club stompers and economically dosed pop elements than its time to make up your mind.

part 1 out of 3 eps for the upcoming summer season on pacha/ibiza!! trax by axwell, angello, ingrosso & laidback luke, martin brodin & dumb dan and michel cleis feat toto la momposina (played by luciano & ricardo villalobos ... cadenza release)!

toms 1983 masterpiece. already wayward, here waits rethinks his sound entirely incorporating a rich and unique new sound palette inc harry partch instruments, lots of percussion, bag pipes, marimbas, harmonium etc topped off with waits visionary lyrical storytelling approach and incredible vocals. wonderful!

another mouthwatering viper beatz release sees the daylight and this bombshell is guaranteed to devastate the dance floors on a global scale. live a lie a jewel in the typical way only g town madness & the viper can create, breathes brilliance and has not only been receiving heavy dj support from the total top in hardcore such as endymion, nosferatu, tomyknocker, dj panic and evil acitivies, but is also to be found on major compilations like hardcore to the bone xiii, and in qontrol. with its impressive anthem break live a lie brings unity and gets back to that true feeling of hardcore: come as one! envy shows the raw side of these craftsman resulting in an ear piercing, raging, full in your face hardcore track yet without losing any of the true g town madness & the viper feel. the result is a raw hardcore bomb, as probably many would not expect from this magical duo. crazy edits, weird synth patterns and freaked distorted bone shattering kick drums bring a refreshingly different taste within g town madness & the viper releases till date. current dj support by the likes of partyraiser, neophyte, tha playah and outblast. when angerfist heard cliffhanger, he decided to give it an angerfist refix. gtm and the viper were so pleasantly surprised when they heard this, they immediately decided to let everyone enjoy this fine piece of rework. after circulating within the hardcore scene for quite a while also this tune will leave a mark on the hardcore scene as we know it.

rogers release yourself series continues nin 2009!! 12inch ep 3 feat tikos groove feat mendonca do rio, menini & vianni feat christian key, veerus & maxie devine and silky sunday

remain 006, kudos e.p., is a 2 tracker treat coming from two artists that have become an irresistible duo to any techno dj out there. remain records proudly welcomes the advent, one of the front runners of techno, and his partner in crime, industrialyzer. their collaboration is one of the hottest things around and their work is in constant demand. apart from releasing their tracks in their respective labels, kombination research and codeworks, the advent and industrialyzer have had successful releases in labels, including drumcode, bush records, mb elektronics and many more.
on the main side, focuspocus is a pure anthem that is totally unpredictable! it is guaranteed to be the track of choice for the springsummer season and for a long time from now! a brilliantly solid track with evocative melodies spread throughout, utterly powerful cuts and kicks and absolutely dreamy loops that will get dancefloors on fire!the title track, kudos, on the remain side is equally powerful, yet so different.. a highly rhythmic track that keeps escalating until it reaches the.. boiling point! as you get into it, it becomes cheeky and playful with some ingenious pointcuts that leave you stunned for a single second until the next wave of radio-rich sounds and percussion mixture hits back! nuff said. enjoy!

nice price deal !!! uplifting 4 track vocal house 12 inch ep

mit frisch geoelten ketten und maximierter feuerkraft pfl?gt der maroon panzer so vernichtend wie noch nie durch die metal botanik!

the second album from swedens the field, is an hour of lullaby krautronica ideal for caressing abused ears. a digital trip through ambient, dance & drone, its been gently pulsating and washing over you like water in a shallow stream all day. vinyl version (gatefolder cover)includes a free cd of the album

after respectable releases in the digital realm and on the german labels hardshower, kaufe musik aso. (both played by the big players like dj hell, laurent garnier george morel oder someone else aso.) he has now moved further and adds three brilliant tracks to the afulab catalogue. the driving and tension loaded bango banger opens on the main side with it s shuffling bongos and hands-in-the-air-and-scream frequency shifting sounds. this will surely rock big time and will leave no one unmoved and bored.the second track and the opener of the flipside drug pipe is another thrilling and funnily weird rocker that might be inspired by too much input to the maker ,-) der nougat baer rounds it up and shows that felix bernhardt is a promising new producer who will leave his marks and we are looking forward to hear his new material already

excellent new label from milano ! big love from prins thomas, padded cell, ata, rub n tug, idjut boys,à !! mad on the moon debut release is a classic masterpiece of cosmische music which has been reworked for late night club action by two italian stars of the nu-disco scene (we leave the track spotting to all the collectors and krautgeeks): the love supreme, their version is direct to the dancefloor, but with a slow paced electro rythm and a classic smooth feelingà when the moog solo kicks in you will be sent to space with themà simone fedi, the man who lately sold out on dc recordings, eskimo, and smash hit music has worked a space funk track loaded with analog synth sequencing coup

fenou #8 - dapayk & padberg on fenou - yes! following up their brilliant >black beauty album< on fenous parent label mos ferry in 2007 and the two album remix records last year this is something new, and different. ok, the duo already had a fenou-like moment with the remix of island (feat. caro) by noze. but this a-side >sugar< shows exactly what the genre description cute minimal electronica actually means. its somewhere between clubby, but distinctive electronica beats, a vocal taht reveals a definite pop-appeal and some lounge-like tunes. the b-side >soir< by dredl kibosh is quite different from that. its a deep and relaxing track developing very slowly to leave a feeling of zero gravity in the end. thereby its not as complex as ezekiel honigs seaside pastures pt.1 on fenou06, but continues the laid-back side of fenou in a perfect way. consequently, the fenou no.8 is presented as a limited edition of 10 records

if there s one lesson we have learned from 2008, it s that techno is not nearly creepy enough. on creep ep, germany s kevin over injects pitch-black dread into the heart of his distinct brand of techno. steamrolling bass-lines, droplets of toxic rain, and ghostly sirens all coalesce into swinging, propulsive grooves that stretch into a never-ending night. mr. over demonstrates his knack for creating arrangements that are both melodious and spacious, crafting an almost seven minutes ride through some of the most banging and infectious techno tracks to date, not to mention some dubby business on surge that would leave lee perry envious. at its most compelling, creep ep paints a picture of a raging warehouse party at the edge of your wildest dreams. including killer remixes by pascal vert and john lagora

love it or hate it, take it or leave it - this is industrial techno in full affect, thomas brinkmann style!

after a fantastic release on patrick lindsays funkwelle imprint it s now time for sascha kloeber to leave his footprints in martin woerners inclusion sandbox. he delivers once again a stunning piece of music with 2 reinterpretations by erman erim and martin woerner himself.

g&s is nadia ksaiba and matt nightmoves waites and show me the good times is a chunky, bass heavy beast full of live percussion, space echo fx and sparkling electronic flourishes. theres also someone from a rather famous pop group banging and shaking things in the background, we ll leave it to you to work out who...

so give us a pat on the back: five years and still alive - maybe was a rule once, but not any more. the idea always was to leave our mark: this is our credo. and thus it is also continued in 2009 cheerfully. the first congratulations on the first part of the compilation series on the 5-year-old existence of the label comes from sweet n candy, with his first track on lebensfreude since his legendary multiplex ep. in addition best of hamburg - sven wegner, also since the day of birth in the house of lebensfreude. besides, label boss gunne in cooperation with spainsh hd substance. modern techno with an oldschool atmosphere. also there s a hope into the future: mariano dc from buenos aires allows to perk up our ears with his evidence of how a bassdrum is screwed in argentine main town

clockism is based on the huuge coldplay hit!! mixes by kalva & paul thomas and danny freakazoid!!

rarities and b sides collection sawdust includes all the pretty faces (which was the b side of when you were young), two movie soundtrack tunes, shadowplay (a joy division cover from control, anton corbijns biopic of ian curtis) and move away (from spiderman 3), as well as a cover of kenny rogers and the first editions ruby, dont take your love to town (written by mel tillis). the collection also contains songs which werent completed for hot fuss and sams town. the killers recently went back into the studio to finish the tracks, including tranquilize featuring lou reed.

a track is a track, is a track is a track. but not every track is just a track. trackletons stands for much more than just tracks. on his debut ep you wont get to hear the substandard generic ordinary music that can be found everywhere. he has it all. disco, house, minimal, techno, you name it, he brings it. welcoming our latest act >trackleton< with his first appearance in form of his >jump ep< adds a variety of deep styles to this 3-tracker like we have not heard it a long while. the a side is a detroit influenced dance-floor sweeper with melodies so deep and beats so sharp that will leave no escape from making heads turning and get your feet dancing. b1 plays it cool all around the bass-line, laying things down in a old-school sounding manner - minimal to the bone, but done so cleverly to ensure that the basics simply sit right and will get you moving. the b-2 track then surprises you with more than just a hint of disco that will be standing out from the norm and creates a nice diversity. one does not often hear music so warm, on point, deep and yet fully dance-floor oriented

the right side up ep is the first solo record release from frankie j since his departure from the famed sound republic duo that spatula city records knows so well. what you can expect is all the flavorings of the style you know so well but will leave your breath with long lasting freshness. on the a side we have shuck n jive, which is a super bouncy throwback to the classic ghetto house sound that keep asses in the air and feet working. the flip side burns with a tasty new school jacker called phat soul kicks.

2nd album by london-based the rocks brings us fresh indie and punk-rock

here comes part 2 of the tuxedo band from livio & roby. grand final evolved from a co-operation with george g. these guys really know how to work the crowd. truly a sure shot. in amonte is a deep and monotone track with a funky bassline and constantly changing percussive elements as well as bells and guitars which define the melodic theme. if the first part was right up your alley the second part will leave you flabbergasted. a simply huge release

aready played by raresh, arnaud le texier, russ gabriel, masomenos !!freshly squeezed productions for the second chapter of the minimono saga! this time fabio and ennio have been joined by their ethique label dudes, techno funk parisian guru john thomas and florentian house newcomers the clover. the original mix is a floating deep and funky groovy track with warm basslines, positive vibes and made to leave you smiling on the dancefloor. the clover version goes more jackin and jazzy, french touch and chicago house elements mixed together make it harder and darker. john & barbara?s really personal sexy style gives the original a more intelligent and sophisticated identity, broken grooves and whispering chopped vocals. as last present from the bosconi crew, the release also includes an african voodoo dub version of the original mix. this is the new funk!!

the 2007 masterpiece by us new metal heroes!!! includes hit singles bleed it out, shadow of the day and what i ve done!!

nice price deal !!! incl remixes by gui boratto and pascal f.e.o.s. !! you don t need to be a dj or producer to know who is scsi-9. these moscow techno pioneers already worldwide known. performed all over the world and famous for their kompakt, trapez, morris audio and traum releases. now they became a part of powerful international highway family. tierra del fuego – the land of fire. and the track will set you on fire! from the first seconds this one will not leave any chance for retreat! only go forward. power chords, sci-fi scary sounds and vocal sample will do amazing job. if you are searching hours all over internet for something unique – this masterpiece is yours!

ultraphat debut album by jon gaiser !!

the long awaited trentemøller debut album - maybe one of the most anticipated independent albums of the year. trentemøller is one of the hottest artists on the electronic circuit - the man of the moment! a beautifully crafted, astonishing masterpiece, that will leave you breathless. the tracks form a story, almost like the soundtrack of a movie. it manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. an ever-changing kaleidoscope of colours and moods, -the last resort- without a doubt contains trentemøllers best work to date. although its an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even dj scratching to create a more organic feel

classic stones-album, digital remastered!

incl slam remix !! delivering their tenth release leftroom limited (the sister label for the bigger releases outside the core leftroom family) introduces subb-an, a fresh uk artist who delivers a track that can t help but leave its mark. ltd backstock

sexplosion, the new ep from lenfant terrible of sophisticated techno, seth troxler-here recording under his debauched alter ego sex trothler-is a complex, multifaceted, and yet decidedly horny affair. these are the sounds of doing unspeakable and anonymous things to girls in dark backrooms and being too confident to regret it the next day…the sounds of your favorite sexual memory transformed by your overactive fantasy life into scenes of utter perversion. the first track, jusyour, combines troxlers signature use of the classic, organic sounds of detroit house and techno with an avant-garde, fragmented, almost mournful sensibility. its a contemporary jack track as appropriate for a dark, seedy club as it is for an afterparty orgy on your friends broken futon. its almost as if music could yearn and sweat and think all at once. its followed by a brief vocal internude to remind you that being a good lover always means having enough of a sense of humor to laugh at other people laughing at yourself. think tinkertoys meets the wu-tang clans black shampoo. humor aside, the final track, face, utilizes airy percussion and deep, almost cinematic chords (reminiscent of troxlers remix for another precious youth, nicolaas jar on new yorks wolf+lamb label). its masterful and restrained use of processed vocals manages to leave behind so much of the pointless darkness that has plagued techno, whether minimal or otherwise. it builds slowly yet aggressively, like a hard, focused grind with someone you cant actually even really stand. this is music for people whose time at art school was spent getting naked and not hating themselves for it.

dortmunds very own ‚diskobär, the inimitable ante perry prepares for new double cd long-player extravaganza , flashing disco sounds, with two cuts exclusively produced with close studio comrades tube & berger. these hot co-productions between the long-time buddies simply cannot fail to get the party going. the overwhelming anthemic stir of human you is evident for the very start, but its true dancefloor potential can only be understood after the full ecstatic wonder of the breakdown pours out over a large crowd. super-constructed tech-discohouse is where its at in this high intensity, high drama, big room flashing disco monster. the curiously titled walthervondervogelweide on the other hand is a more brooding beast altogether. working the underlying tension and keeping the pressure tightly locked to the floor its a dangerous late night dancefloor workout... left in the wrong hands this could seriously damage your ability to leave the dancefloor! finally fellow dortmund heavy-calibre producer peter jürgens works his remixing magic and twists human you into a housed up, long building affair that operates on a more stripped, subterranean level to begin with but bursts out above ground with carefully timed energy. warm driving beats and pads layer to reveal the identifying melody of the original.

nice price deal !!! receiving major support from the likes of tony humphries, cj mackintosh, danny krivit, johnny fiasco, richard earnshaw, mark grant, colette, nicolas matar and much more...its rare these days that a song can rock the dance floor while maintaining quality and integrity but also leave you inspired by the message in the music. life is the music is a prime example of this combination. londons sonny j mason has done just that and delivers a refreshing uplifting vocal with positive meaning. this song has the right combination of energy and soul to make you move while singing along, because tomorrow aint promised, so dance, cause life is the music. miguel migs salted dub deluxe strips it down and moves into slightly more techy territory with a bouncing bassline and dubbed out cut up vocal snippets. miguel migs bump the tech dub delivers a breakbeat groove with a gritty electro ish bassline filtering in and out while layered sweeping synth pads glide on top. the original version is a midtempo soul stomper with classic hip hop and r&b flavor. accessible to radio and club djs alike this song has definite crossover appeal.

support by djinxx, jichael mackson, tobias becker, pelle buys, rulers of the deep, dave mothersole, laurent garnier, leandro gamez, james talk… gedankensport signed a new amazing artist for you. with his sense for minimal techno and house arrangements he bursts every brain, because he will start the real sport of thoughts in your mind. christopher rau, who came in contact with electronic dance music in 2004, produced three poetic minimal housetracks reduced to some kind of essential form of electronic music. a: gribuntal: this track is pure minimalism. based on this monotone organ chord that seems to make you insane during the nearly eleven minutes, there is kind of tropical feeling, too. the easy tribal percussions put this track in warm, windy and relaxed beach surrounding, nobody wants to leave..

continuing the spectacle that is the poker flat tournament series, we present two more surefire lessons in dancefloor mechanics. after his last storming >zeitgeist e.p< for poker flat, londons very own dark knight raudive aka oliver ho has crafted a powerfully hypnotic club tool that truly exists within its own world of unique and unmistakable sound. carefully executed beats roll forward as an astounding landscape of colourful vocal suggestions and emotions swirl and evolve. its a heady, uncompromising track that certainly stands out as its own, but could complement many different dj situations, from driving peak time sets, to free-flowing after-hours sessions… heading up the opposition for looks set to be a fine tournament indeed, minimise head-honcho and continual key-player donnacha costello brings things down and dirty with his unforgiving and foreboding >i must be going<. a catchy proto-acidic bass line snakes a winding path through a dense atmosphere of late-night paranoia. perfectly crafted beats push the energy along with a casual swagger, whilst the pleasingly tripped out vocal undertones leave the imagination to run wild

kindisch is now eighteen releases old, and its mission - to uncover new talent, and to provide a platform for producers to evolve and experiment - is more passionate than ever. this time, the reins are handed to sascha braemer, aka hirtenfellner, and philip bader, who build on the promise of their releases on sup dub and get physical. >mamba drums< is, as its name suggests, a percussive, latin-tinged affair, with sweeping builds and heavy drops, layer upon layer of locomotive percussion and a skeletal four-note vamp designed to whip the listener into a state of frenzy (and sure to be successful in this aim!). a male vocal sample pervades on >thrill<, this time more gruff, more laconic, and edited so that the words become another percussive element rather than carriers of meaning. deep whirlpools of delay open up below a surface drift of jazz-tinged chords, from a minimalist sound palette bader and braemer paint a vastly evocative, effusive picture that will transport the listener, or dancefloor, to a strange and addictive place. >put your arms around me<, implores the soul-infused vocal sample on b >around<, over a yawning vista of synth chords bridged with sibiliant snares and subtle but earth-moving edits that leave no doubt as to braemer and baders mastery of dancefloor dynamics.

after stereophonic, his brilliant update of the spooky classic, one of our favourite producers kris menace teams up with chicago disco visionary felix da housecat to unleash the awesome ‘artificial. melodic and epic in equal measures it takes in soaring melodies and huge sweeping synths that will have hands in the air whilst the huge bassline, played by nobody else than fred falke, will move the feet and the hips… this full-on sonic assault will leave no dancefloor able to resist